
bizarre fetish fashion in the nightclub.

bizarre fetish fashion in the nightclub.

l’insorgere veemente e spasmodico della divinità vudù.

He wants to speak with you.





the endless game of nature.
(funny-particles-joy-puzzle-paradox).



La vita segreta delle cose.
Mai breve la durata,
mai storpia la linea,
mai flebile la traccia.
Ad altrettanta velocità poi,
nel momento più importante
dell’ascesa, fra aspre dune,
la geometria dei solidi
si scompone e dall’alto
s’irradia un caleidoscopio
di rifrazioni invisibili
che urtano la fibra più
acuta del nervo e sul lume
si stagliano i solidi
vapori di un filo
che passa sul ciglio
del vulcano:
cosa precipita
dinanzi ai nostri
cervelli spalancati?



l’ora d’ombra.
adombra, adorna, ornala.
assalto, alto alito.
orale denaro rane nere erano renne.
jamrock protein:
non arginabile l’ordigno sbava e congiunge.
“Myth is an attempt to narrate a whole human experience, of which the purpose is too deep, going too deep in the blood and soul, for mental explanation or description.”
D. H. Lawrence



“Ten thousand flowers in spring, the moon in autumn, a cool breeze in summer, snow in winter. If your mind isn’t clouded by unnecessary things, this is the best season of your life.”
(Wu-Men)
Forget the years, forget distinctions. Leap into the boundless and make it your home!
泉涸,魚相與處於陸,相呴以濕,相濡以沫,不如相忘於江湖。
(Zhuangzi / Chuang Tzu)


When I’m writing, sometimes it gets to that place where I feel like the piece is writing itself and I’m trying not to get in the way.
(John Zorn)
“There is a fullness and calmness there which can come only from knowing pain.”
(Dan Simmons, Hyperion)
“I took inspiration from Andy Warhol‘s “Empire,” his “unwatchable” 24-hour film of the Empire State Building. Similarly, imagine a book that is written with the intention not to be read. The book as object: conceptual writing; we’re happy that the idea exists without ever having to open the book.”
(UNCREATIVITY AS A CREATIVE PRACTICE)
“The world is full of objects, more or less interesting; I do not wish to add any more.”
(Kenneth Goldsmith, Uncreative Writing: Managing Language in the Digital Age)